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Titre : African Literatures in English : East and West Type de document : texte imprimé Auteurs : Gareth Griffiths, Auteur Editeur : Longman Année de publication : 2000 Importance : 414 p Présentation : ill.,couv.en coul Format : 15.88 x 23.5 cm ISBN/ISSN/EAN : 978-0-582-08926-6 Langues : Anglais (eng) Catégories : LITTERATURE ET LANGUE ANGLAISE:823 English fiction : novel Mots-clés : African literatures writin East West history post-war language nigeria novel Résumé : Longman Literature in English SeriesGeneral Editors David Carroll University of Lancaster Michael Wheeler University of Southampton Chris Walsh Chester College of Higher EducationThe Longman Literature in English Series provides students of literature with a critical introduction to the major genres in their historical context As well as studies on all periods of English and American literature the series includes books on criticism and literary theory the intellectual and cultural context and other literatures in English Each of the volumes contains an extensive reference section When complete the series will offer a practical and comprehensive guide to literature written from Anglo Saxon times to the present African Literatures in English East and West provides students of literature with an introduction to the history of English writing from East and West Africa from the texts of the slave diaspora to those of the post war upsurge in African English language and literature from these regions The author surveys the main forces of patronage through which this writing developed during its different historical phases and their relations with existing forms and theme African Literatures in English : East and West [texte imprimé] / Gareth Griffiths, Auteur . - Longman, 2000 . - 414 p : ill.,couv.en coul ; 15.88 x 23.5 cm.
ISBN : 978-0-582-08926-6
Langues : Anglais (eng)
Catégories : LITTERATURE ET LANGUE ANGLAISE:823 English fiction : novel Mots-clés : African literatures writin East West history post-war language nigeria novel Résumé : Longman Literature in English SeriesGeneral Editors David Carroll University of Lancaster Michael Wheeler University of Southampton Chris Walsh Chester College of Higher EducationThe Longman Literature in English Series provides students of literature with a critical introduction to the major genres in their historical context As well as studies on all periods of English and American literature the series includes books on criticism and literary theory the intellectual and cultural context and other literatures in English Each of the volumes contains an extensive reference section When complete the series will offer a practical and comprehensive guide to literature written from Anglo Saxon times to the present African Literatures in English East and West provides students of literature with an introduction to the history of English writing from East and West Africa from the texts of the slave diaspora to those of the post war upsurge in African English language and literature from these regions The author surveys the main forces of patronage through which this writing developed during its different historical phases and their relations with existing forms and theme Réservation
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Code-barres Cote Support Localisation Section Disponibilité 823.434-3 823.434-3 Livre externe BIBLIOTHEQUE DES LITTERATURES ET LANGUES Lettres et langue anglaises (bll) Disponible
Titre : Emma : York Notes Advanced Type de document : texte imprimé Auteurs : Jane Austen, Auteur Editeur : Longman Année de publication : 2001 Importance : 120p Présentation : ill.,couv.en coul Format : 14.5x21 cm. ISBN/ISSN/EAN : 978-0-582-32913-3 Note générale : simplifed version Langues : Anglais (eng) Mots-clés : novel Woodhouse Emma history fiction romantic Résumé : Emma’s introduction of the character Emma Woodhouse is among the most famous in the history of fiction. According to the narrator:
Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.Emma : York Notes Advanced [texte imprimé] / Jane Austen, Auteur . - Longman, 2001 . - 120p : ill.,couv.en coul ; 14.5x21 cm.
ISBN : 978-0-582-32913-3
simplifed version
Langues : Anglais (eng)
Mots-clés : novel Woodhouse Emma history fiction romantic Résumé : Emma’s introduction of the character Emma Woodhouse is among the most famous in the history of fiction. According to the narrator:
Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.Réservation
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Code-barres Cote Support Localisation Section Disponibilité 823.1-3 823.1-3 Livre externe BIBLIOTHEQUE DES LITTERATURES ET LANGUES Lettres et langue anglaises (bll) Disponible
Titre : Experimental Phonetics : An Introduction Type de document : texte imprimé Auteurs : Katrina Hayward, Auteur Editeur : Longman Année de publication : 2000 Collection : Longman Linguistics Library Importance : 298 p. Format : 24 x 16 x 2 cm. (0.90 kg) ISBN/ISSN/EAN : 978-0-582-29137-9 Langues : Anglais (eng) Mots-clés : Experimental Phonetics. Résumé : Traditionally, investigations into speech and pronounciation have relied on the unaided skills of the phonetician in recognising and reproducing speech sounds. But many practicioners are now using instruments to gain a greater understanding of speech and to be able to analyse speech patterns in situations when speaking and hearing would otherwise be inaccessible without the use of these instruments. This new book looks at how this form of investigation has developed, and considers the types of data that can be used and which questions can be solved using experimental phonetics. Note de contenu : Table of Contents:
1. Introduction: impressionistic phonetics and experimental phonetics 2. The nature of sound 3. Analysing sound: the spectograph 4. The acoustics of speech production 5. Perception and hearing 6. The acoustic description of vowels 7. The acoustic description of consonants 8. Speech production Appendix: An overview of impressionistic-phonetic classification BibliographyIndexExperimental Phonetics : An Introduction [texte imprimé] / Katrina Hayward, Auteur . - Longman, 2000 . - 298 p. ; 24 x 16 x 2 cm. (0.90 kg). - (Longman Linguistics Library) .
ISBN : 978-0-582-29137-9
Langues : Anglais (eng)
Mots-clés : Experimental Phonetics. Résumé : Traditionally, investigations into speech and pronounciation have relied on the unaided skills of the phonetician in recognising and reproducing speech sounds. But many practicioners are now using instruments to gain a greater understanding of speech and to be able to analyse speech patterns in situations when speaking and hearing would otherwise be inaccessible without the use of these instruments. This new book looks at how this form of investigation has developed, and considers the types of data that can be used and which questions can be solved using experimental phonetics. Note de contenu : Table of Contents:
1. Introduction: impressionistic phonetics and experimental phonetics 2. The nature of sound 3. Analysing sound: the spectograph 4. The acoustics of speech production 5. Perception and hearing 6. The acoustic description of vowels 7. The acoustic description of consonants 8. Speech production Appendix: An overview of impressionistic-phonetic classification BibliographyIndexRéservation
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Code-barres Cote Support Localisation Section Disponibilité 421.68-3 421.68-3 Livre externe BIBLIOTHEQUE DES LITTERATURES ET LANGUES Lettres et langue anglaises (bll) Disponible
Titre : Myth and Creative Writing : The Self-Renewing Song Type de document : texte imprimé Auteurs : Adrian May, Auteur Editeur : Longman Année de publication : 2011 Importance : 221 p. Format : 23.1 x 15.9 x 1.3 cm ISBN/ISSN/EAN : 978-1-4082-0464-1 Langues : Anglais (eng) Résumé : Myth and Creative Writing is a unique and practical guide to the arts of creative writing. It: * Gives a historical perspective on the storyteller's art * Takes a wide view of myth, to include: legends, folklore, biblical myth, classical myth, belief myths, balladry and song. * Considers all aspects of the creative process, from conception to completion * Provides tips on seeking inspiration from classical and mythic sources * Shows how myths can be linked to contemporary concerns * Enables beginning writers to tap into the deeper resonances of myth * Guides students to further critical and creative resources A secret that all writers know is that they are part of a long tradition of storytelling - whether they call it mythic, intertextual, interactive or original. And in the pantheon of storytelling, myths (those stories that tell us, in often magical terms, how the world and the creatures in it came to be) are the bedrock, a source of unending inspiration. One can dress the study of literature in the finest critical clothing - or intellectualise it until the cows come home - but at its heart it is nothing more - and nothing less - than the study of the human instinct to tell stories, to order the world into patterns we can more readily understand. Exploring the mythic nature of writing (by considering where the connections between instinct and art are made, and where the writer is also seen as a mythic adventurer) is a way of finding close links to what it is we demand from literature, which is - again - something to do with the essences of human nature. Further, in the course of examining the nature of myth, Adrian May provides a very practical guide to the aspiring writer - whether in a formal course or working alone - on how to write stories (myths) of their own, from how to begin, how to develop and how to close.
Note de contenu : Table of Contents:
Preface: Mythic Intentions Introduction: The Mythic Writer PART ONE: Myth and the Creative Process 1. Starting Creation 2. Birth Myths 3. The Truth Lies 4. Mythic Navigation Devices 5. Dark Matter 6. Late Heroes 7. Happiness Writes 8. Myth Madness 9. Modernising Myths 10. The Daily Myther 11. Dooms and Dead Ends 12. Myths of Fame Postscript: Theories and Fairies, Myth and Magic PART TWO: A Mythic Subject Dictionary Bibliography IndexMyth and Creative Writing : The Self-Renewing Song [texte imprimé] / Adrian May, Auteur . - Longman, 2011 . - 221 p. ; 23.1 x 15.9 x 1.3 cm.
ISBN : 978-1-4082-0464-1
Langues : Anglais (eng)
Résumé : Myth and Creative Writing is a unique and practical guide to the arts of creative writing. It: * Gives a historical perspective on the storyteller's art * Takes a wide view of myth, to include: legends, folklore, biblical myth, classical myth, belief myths, balladry and song. * Considers all aspects of the creative process, from conception to completion * Provides tips on seeking inspiration from classical and mythic sources * Shows how myths can be linked to contemporary concerns * Enables beginning writers to tap into the deeper resonances of myth * Guides students to further critical and creative resources A secret that all writers know is that they are part of a long tradition of storytelling - whether they call it mythic, intertextual, interactive or original. And in the pantheon of storytelling, myths (those stories that tell us, in often magical terms, how the world and the creatures in it came to be) are the bedrock, a source of unending inspiration. One can dress the study of literature in the finest critical clothing - or intellectualise it until the cows come home - but at its heart it is nothing more - and nothing less - than the study of the human instinct to tell stories, to order the world into patterns we can more readily understand. Exploring the mythic nature of writing (by considering where the connections between instinct and art are made, and where the writer is also seen as a mythic adventurer) is a way of finding close links to what it is we demand from literature, which is - again - something to do with the essences of human nature. Further, in the course of examining the nature of myth, Adrian May provides a very practical guide to the aspiring writer - whether in a formal course or working alone - on how to write stories (myths) of their own, from how to begin, how to develop and how to close.
Note de contenu : Table of Contents:
Preface: Mythic Intentions Introduction: The Mythic Writer PART ONE: Myth and the Creative Process 1. Starting Creation 2. Birth Myths 3. The Truth Lies 4. Mythic Navigation Devices 5. Dark Matter 6. Late Heroes 7. Happiness Writes 8. Myth Madness 9. Modernising Myths 10. The Daily Myther 11. Dooms and Dead Ends 12. Myths of Fame Postscript: Theories and Fairies, Myth and Magic PART TWO: A Mythic Subject Dictionary Bibliography IndexRéservation
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Code-barres Cote Support Localisation Section Disponibilité 822.141-3 822.141-3 Livre externe BIBLIOTHEQUE DES LITTERATURES ET LANGUES Lettres et langue anglaises (bll) Disponible
Titre : A Reader's Guide to Contemporary Literary Theory Type de document : texte imprimé Auteurs : Peter Widdowson, Auteur ; Peter Brooker, Auteur ; Raman Selden, Auteur Editeur : Longman Année de publication : 2005 Importance : 314 p. Format : 23.4 x 15.6 x 23.4 centimetres (0.47 kg) ISBN/ISSN/EAN : 978-0-582-89410-5 Langues : Français (fre) Résumé : The best of the many guides to literary theory that are currently available. Widdowson and Brooker chart a clear and comprehensively documented path through the full range of what is best in contemporary literary theory…indispensable for all students of literature…An impressive achievement!
John Drakakis, Stirling University.
This Guide is as stimulating and instructive an introduction to [literary theory] as any reader might wish for.
John Kenny, Centre for the Study of Human Settlement and Historical Change, National University of Ireland, Galway
A Reader’s Guide to Contemporary Literary Theory is a classic introduction to the ever-evolving field of modern literary theory, now expanded and updated in its fifth edition.
This book presents the full range of positions and movements in contemporary literary theory. It organises the theories into clearly defined sections and presents them in an accessible and lucid style. Students are introduced, through succinct but incisive expositions, to New Criticism, Reader-Response Theory, Marxist Criticism, Structuralism, Post-Structuralism, Post-Modernism and Feminism, as well as to Cultural Materialism and New Historicism, Postcolonialism and Gay, Lesbian and Queer Theory. This new edition also considers the ‘New Aestheticism’ and engages with the idea of‘Post-Theory’.
This comprehensive book also contains extensively revised Further Reading lists, including web and electronic resources, and two appendices which recommend glossaries of key theoretical and critical terms and relevant journals.Note de contenu : Table of Contents:
Preface to the Fifth Edition. Introduction. 1. New Criticism, moral formalism and F. R. Leavis 2. Russian formalism and the Bakhtin school 3. Reader-oriented theories 4. Structuralist theories 5. Marxist theories 6. Feminist theories 7. Poststructuralist theories 8. Postmodernist theories 9. Postcolonialist theories 10. Gay, lesbian and queer theories Conclusion: Post-Theory. Appendix 1: Recommended glossaries of theoretical and critical terms and concepts. Appendix 2: Literary, critical and cultural theory journals. Index.A Reader's Guide to Contemporary Literary Theory [texte imprimé] / Peter Widdowson, Auteur ; Peter Brooker, Auteur ; Raman Selden, Auteur . - Longman, 2005 . - 314 p. ; 23.4 x 15.6 x 23.4 centimetres (0.47 kg).
ISBN : 978-0-582-89410-5
Langues : Français (fre)
Résumé : The best of the many guides to literary theory that are currently available. Widdowson and Brooker chart a clear and comprehensively documented path through the full range of what is best in contemporary literary theory…indispensable for all students of literature…An impressive achievement!
John Drakakis, Stirling University.
This Guide is as stimulating and instructive an introduction to [literary theory] as any reader might wish for.
John Kenny, Centre for the Study of Human Settlement and Historical Change, National University of Ireland, Galway
A Reader’s Guide to Contemporary Literary Theory is a classic introduction to the ever-evolving field of modern literary theory, now expanded and updated in its fifth edition.
This book presents the full range of positions and movements in contemporary literary theory. It organises the theories into clearly defined sections and presents them in an accessible and lucid style. Students are introduced, through succinct but incisive expositions, to New Criticism, Reader-Response Theory, Marxist Criticism, Structuralism, Post-Structuralism, Post-Modernism and Feminism, as well as to Cultural Materialism and New Historicism, Postcolonialism and Gay, Lesbian and Queer Theory. This new edition also considers the ‘New Aestheticism’ and engages with the idea of‘Post-Theory’.
This comprehensive book also contains extensively revised Further Reading lists, including web and electronic resources, and two appendices which recommend glossaries of key theoretical and critical terms and relevant journals.Note de contenu : Table of Contents:
Preface to the Fifth Edition. Introduction. 1. New Criticism, moral formalism and F. R. Leavis 2. Russian formalism and the Bakhtin school 3. Reader-oriented theories 4. Structuralist theories 5. Marxist theories 6. Feminist theories 7. Poststructuralist theories 8. Postmodernist theories 9. Postcolonialist theories 10. Gay, lesbian and queer theories Conclusion: Post-Theory. Appendix 1: Recommended glossaries of theoretical and critical terms and concepts. Appendix 2: Literary, critical and cultural theory journals. Index.Réservation
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Code-barres Cote Support Localisation Section Disponibilité 822.222-3 822.222-3 Livre externe BIBLIOTHEQUE DES LITTERATURES ET LANGUES Lettres et langue anglaises (bll) Disponible Permalink



